| PATCH # | PATCH NAME | DESCRIPTION |
| U1-1 | Lead | Herman Li - Use for fast leads and solos with high output humbucker neck or bridge. Adjust the EQ to optimize the sound. |
| U1-2 | Lead + Oct -1 | Herman Li - Ideal for leads passages. The added 1 lower octave helps to thicken up the sound especially if no backing guitar. |
| U1-3 | Lead + Har -3 | Herman Li - Harmonizer leads in lower 3rd harmony. |
| U1-4 | Lead + Har +3 | Herman Li - Harmonizer leads in higher 3rd harmony. |
| U2-1 | Solo Delay | Metal Collection 1 - Mild lead tone with long delay for expressive solo. |
| U2-2 | Metal Stereo | Matias Kuplainen - Huge stereo sound for intense riffing. Add third by pressing the accel/ctl-button for more complicated riffing. |
| U2-3 | Metal Mono | Matias Kuplainen - Mono in-ur-face-rhythm sounds. Switch easily between left and right. |
| U2-4 | Mighty Chords | Matias Kuplainen - Clean sound and layered pad for atmospheric playing. |
| U3-1 | Smooth Lead | Matias Kuplainen - Tons of distortion, smooth, aggressive lead sound. |
| U3-2 | Dual Recto | Matias Kuplainen - Nice patch for metal riffing or doubling. Little bit more low-mids makes it stand out from the mix. |
| U3-3 | DedicatemySoul | Rafael Bittencourt - High Gain Stack. Great for heavy rhythm parts. |
| U3-4 | Harmonizer | Rafael Bittencourt - Harmonizer selected on lower thirds on C/Am key. Good for Arpeggios and slow melodies. |
| U4-1 | Wild WAH | Rafael Bittencourt - Dry solo sound with a Wild WAH. |
| U4-2 | Gentle Change | Rafael Bittencourt - Acoustic simulator. Good also for very clean guitar sound. |
| U4-3 | Gravedigger | Architects -Inspired by the opening of the track Gravedigger. Lightly driven atmospheric tremolo sound with some tape delay and reverb. |
| U4-4 | Tap Lead | Architects -Tapping lead sound with high gain, tap tempo, and reverb |
| U5-1 | Colony Collapse | Architects - Clean, compressed sound with lots of spring reverb |
| U5-2 | Devil is Near | Architects - Slightly gritty tap tempo delay sound inspired by The Devil Is Near, Delay can be controlled via exp pedal |
| U5-3 | Drive | Marty Friedman - Basic drive tone with sustain. |
| U5-4 | Tera Drive | Marty Friedman - Drive tone with TERA ECHO. Direct tone won't be overwhelmed and maintains presence even when deepening the effect. |
| U6-1 | Pedal Wah | Marty Friedman - Drive tone. EXP pedal works as a wah pedal. |
| U6-2 | Tera Clean | Marty Friedman - Clean tone with TERA ECHO. An expressive echo is obtained responding to your picking nuances. |
| U6-3 | AC SIM | Marty Friedman - Acoustic guitar-like tone. A distinctive body resonance is obtained when strumming chords. |
| U6-4 | Power Clean | Gus G - A dramatic, clean sound using the PITCH SHIFTER to create rich, chorus-like tones with some MODULATE DELAY for even more depth and motion in the sound. |
| U7-1 | Heavy Vibe | Gus G - The big sound of the DRIVE preamp combined with the famous sound of a BOSS DS-1 DISTORTION. The UNI-V provides an almost tremolo-like modulation. |
| U7-2 | Shred Lead | Gus G - A high-gain modern lead sound using the T-SCREAM into the METAL preamp with some added ANALOG DELAY to fill out the sound. |
| U7-3 | Modern Acoustic Electric | Gus G - This gives you a modern acoustic-electric tone from an electric guitar by using the AC SIM effect through the AC preamp, with the HARMONIST added for a doubling effect. |
| U7-4 | What's the Deal | Gus G - A strong rock tone with the WAH on. |
| U8-1 | In Another World | Alex Hutchings - Volume swells create beautiful pads and picking gives ambience from another world. CTL adds lead tone that compliments the pad sound. Pedal FX = Freeze. |
| U8-2 | Robbers | The 1975 - Compression, Overdrive and Delay with a lot of Hall Reverb for the lead sound of Robbers |
| U8-3 | Bohemian Queen | Classic Patches by Josh Munday - Driven Combo Drive with a very short single delay to simulate room mic sound. |
| U8-4 | Crazy Railway | Classic Patches by Josh Munday - Cranked driven stack with a Single-Humbucker converter, short delay to simulate room mic. |
| U9-1 | Personality Cult | Classic Patches by Josh Munday - Full Drive amp tone with a single slap-back delay and a very short single delay to simulate room mic sound and a Single-Humbucker converter. |
| U9-2 | Classic Dry 2 | Bruce Bouillet Collection - A chorusy metal sound. The CTL pedal turns the chorus ON/OFF. |
| U9-3 | Clean Hl Oct | Bruce Bouillet Collection - This Pitch Shifter give this sound a cool 12-string character with single notes. There is also some DELAY, and for more depth, hit CTL to activate the CHORUS. |
| U9-4 | Electric 12 Low | Bruce Bouillet Collection - Sounding like a baritone 12-string, this uses the unique sound of the OVERTONE effect, along with CHORUS, DELAY, and REVERB. |
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